Showing posts with label brad paisley. Show all posts
Showing posts with label brad paisley. Show all posts

Saturday, April 13, 2013

Confederate "Heritage" Month 2013, April 13: Real-time white racism, playing somewhere near you (1)

"I just don't believe everyone should be engaged in a conversation [about race]. I strongly believe that people often have disparate interests. White racism is an actual interest held by actual people. Some people should be talked to. Other people must be defeated."

That's Ta-Nahisi Coates in Against the Conversation, Cont. The Atlantic Online 04/10/2013, on of three posts he's made taking off on the theme of the Brad Paisle/LL Cool J song, "Accidental Racist." The other two are Why 'Accidental Racist' Is Actually Just Racist 04/10/2013 and Against the 'Conversation on Race' 04/10/2013.

A different kind of song about race: Peter, Paul and Mary performing a Pete Seeger song, All Mixed Up:



In that post just quoted, Coates is making particular reference to a Kansas County Commissioner, Jim Gile, who attracted national attention by his use of "nigger—rigging" in a public meeting, which he sneeringly corrected to "Afro-Americanized." (Elspeth Reeve, Kansas Politician Is the Latest Accidental Racist After Dropping the N-Word Atlantic Wire 04/10/2013)

Coates argues that it's pointless, if not worse, to reduce white racism to simple subjective ill-will. In fact, the kind of anti-racist appeal Paisley claims to be making in his song in effect assumes there is no ill-will at all between the two sides of the conversation:

I have had conversations with very well-educated people who, with a straight face, have told me that there are Black Confederates. If you ask a very well educated person how the GI Bill exacerbated the wealth gap, or how New Deal housing policy helped create the ghetto they very likely will not know. And they do not know, not because they are ignorant, stupid, or immoral, they do not know because they are part of country that has decided that "not knowing" is in its interest. There's no room for any sort of serious conversation when the basic facts of history are not accessible. It would be like me demanding a conversation on Vichy France--en Français.

So we retreat to mushy, moist talk about who "feelings," "intentions," "good people" and "loving fathers." The great Jay Smooth once said that we need to move from a "what you are" conversation ("you are a racist") to a "what you are doing" conversation. Unfortunately this presumes a groundwork of honesty and good faith. No such good faith exists because we are ignorant, and deep down inside, we know it and are ashamed of it. [my emphasis]
Chauncey DeVega makes his own version of this point in The "Accidental Racist" and How to Write a Post-Racial Pop Song in The Age of Obama WARN 04/11/2013:

... LL Cool J and Brad Paisley's recent song "Accidental Racist" is a product of a confused post-racial America where the "national discourse" on race is moribund, twisted, tired, and empty.

In the post-civil rights era, white folks apparently just want "forgiveness" and to "get past" this race stuff. Black and brown folks want some type of justice and an acknowledgement of how structural inequality along the color line persists into the present. The former want to limit racism to "mean words" and "hurt feelings." The latter would like to discuss substantive efforts at improving live chances and the social inequalities caused by racism, both structural and inter-personal. [my emphasis]
Coates also makes a point along the lines I made in my earlier post on the subject of "Accidental Racist." Coates:

Paisley wants to know how he can express his Southern Pride. Here are some ways. He could hold a huge party on Martin Luther King's birthday, to celebrate a Southerner's contribution to the world of democracy. He could rock a T-shirt emblazoned with Faulkner's Light In August, and celebrate the South's immense contribution to American literature. He could preach about the contributions of unknown Southern soldiers like Andrew Jackson Smith. He could tell the world about the original Cassius Clay. He could insist that Tennessee raise a statue to Ida B. Wells.

Every one of these people are Southerners. And every one of them contributed to this great country. But to do that Paisley would have to be more interested in a challenging conversation and less interested in a comforting lecture.
Love the shout-out to Faulkner.

And speaking of Jim Gile, Coates explains how this is a fairly typical performance of white racism:

It is tempting to write this off as the local shenanigans of some unknown politician. Except that Gile's response is fairly typical when people are caught doing racist things. ... Michael Richards once yelled, at the top of his lungs, "He's a nigger! He's a nigger!" made a joke about lynching. When told that this is the sort of thing which, you know, racists tend to do, he said "I'm not a racist" -- and was indignant that someone would call him one -- "that's what's so insane."

This is denial and willful ignorance. And it's fairly endemic. I can't really remember the last time I saw a public figure do something racist and say, "Yes. I am racist. I am sorry and I intend to do something about it." Indeed virtually any "conversation" on race that would take place in this country must -- necessarily -- be premised on there not being any actual living racists, or any actual effects of racism.

We do not know. And we like it that way. [my emphasis]
Chauncey DeVega also makes a point about how Obama both as candidate and President has shaped the current state of our so-called conservation on race in the US:

Then candidate Barack Obama, who is/was an elite opinion leader, played a similar game in his much vaunted Philadelphia speech on race during the 2008 campaign. Obama, in an effort to win the White House by distancing himself from the "political blackness" embodied by Reverend Wright, suggested that African-Americans' justice claims are somehow morally and ethically equivalent to the racial resentment felt by many white Americans towards people of color in their backlash against the gains of the civil rights movement.

I would not expect LL Cool J or Brad Paisley to fully understand the political work done by their song "Accidental Racism."

Barack Obama, the country's first black President, and a constitutional scholar, ought to know better. But then again, Obama's move in 2008 (and since) was both tactically shrewd and intentional: blackness is a liability in almost every area of American public, social, and political life. Consequently, it is a social marker to be avoided at all costs.
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Monday, April 08, 2013

Confederate "Heritage" Month 2013, April 8: Neo-Confederate symbolism marches on

Neo-Confederate symbolism is in the news today, literally, in Country star Brad Paisley releases bizarre "Accidental Racist" song by Daniel D'Addario Salon 04/08/2013

The Confederate flag remains a popular symbol of Southern pride even while stirring controversy among those who see it as a symbol glorifying slavery in the antebellum South. The singer Trace Adkins wore a Confederate flag earpiece at a nationally televised performance in 2012. Adkins wrote at the time: “As a proud American I object to oppression of any kind. To me, the battle flag represents remembrance of my Southern lineage – I am a descendant of Confederate soldiers who followed that flag into battle.” Members of Lynyrd Skynyrd, the band name-checked in "Accidental Racist," used similar language in defending their use of the flag in live shows: "Myself, the past and present members (that are from the South), are all extremely proud of our heritage and being from the South. We know what the Dixie flag represents and its heritage; the Civil War was fought over States rights." Though not associated with the flag, the band Lady Antebellum has come in for criticism for a name that references the slave-holding South pre-Civil War.
Sounds like stock whiny-white-guy stuff to me. I wonder why he bothered, although I guess having LL Cool J sing on it :

I'm just a white man comin’ to you from the southland
Tryin' to understand what it's like not to be
I'm proud of where I'm from but not everything we've done
And it ain't like you and me can re-write history
Our generation didn't start this nation
We’re still pickin' up the pieces, walkin’ on eggshells, fightin’ over yesterday
And caught between southern pride and southern blame

The song implies that Reconstruction was a failure ("They called it Reconstruction, fixed the buildings, dried some tears / We’re still siftin’ through the rubble after a hundred-fifty years"), while LL Cool J’s verse further muddies the water. Maybe people who judge those in "rebel" garb are the real racists: "So when I see that white cowboy hat, I’m thinkin' it's not all good / I guess we're both guilty of judgin' the cover not the book."
Paisley's song sounds like a lame-ass White Pride anthem to me. But then I don't have any romantic nostalgia about segregation.

(Just for the record, Lady Antebellum's name has never bothered me. I haven't encountered any of their songs that struck me as some kind of neo-Confederate nonsense.)

If he wanted to distance himself from the Lost Cause, he could have recorded, "While We Marching Through Georgia." But it's a duet with LL Cool J, so it must be all fine, right? But I'm not sure how up LL Cool J is on Civil War history though, because he gets the line, "I wasn't there when Sherman's march turned the South into firewood." As I mentioned in a post a few days ago, Sherman's famous March To The Sea left so many antebellum plantation houses standing it was kind of tricky for guardians of the Lost Cause to explain. The favorite explanation was that Sherman was having an affair with one of the ladies at the spared plantations. Although so many of them were left standing, that also makes him one of the most prolific lovers in the history of generalship. Our onetime Savior-General David Petraeus ain't got nothing on Sherman!

In that same post on Gen. Sherman, I included a YouTube video of Tennessee Ernie Ford singing "Marching Through Georgia". If Tennessee Ernie could do it...

I remember one my relatives who was into the White Citizens Council talking about how she was disgusted that Tennessee Ernie had a black singer on his TV show. "I don't mind if she sang a song, but he didn't have to pat her hand afterward," was how she put it. Seems to me like Tennessee Ernie could make a much more clear statement than Brad Paisley. "I'm proud of where I'm from but not everything we've done"? What you mean "we", white boy?

And speaking of Tennessee Ernie, here he sings the "Marching Song Of the First Arkansas Negro Regiment":



Or ole Brad might try this one, Let My People Go - Paul Robeson. Paul Robeson as a young man actually learned songs like this directly from former slaves and tried to preserve the style in good folk singer tradition. His recordings of songs like this are some of the closest we have to recordings of what actual slave ballads must have sounded like.

Or this one, Steve Earle - Dixieland (from a concert 09/24/2005):



Or he might try this one, Emmylou Harris : My Name Is Emmett Till:



It really ain't that hard to come up with something better that "Accidental Racism," dude.

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