Showing posts with label robert penn warren. Show all posts
Showing posts with label robert penn warren. Show all posts

Tuesday, April 10, 2012

Confederate "Heritage" Month 2012 April 10: Once more on Robert Penn Warren and the Southern Agrarians

R. Blakeslee Gilpin in his book John Brown Still Lives! America's Long Reckoning with Violence, Equality, and Change (2011) includes an essay on the Southern Agrarians, "The Fugitive Imagination: A John Brown for the Old South". He focuses on Robert Penn Warren's biography, John Brown: The Making of a Martyr (1929) and his essay "The Briar Patch" (1930), to talk about the impact the Southern Agrarians had on propagating and elaborating the segregationist neo-Confederate/Lost Cause view of the Civil War and American history.

I devoted all of the 2011 posts in the Confederate "Heritage" Month series to the Southern Agrarians, a group of reactionary Southern writers whose most prominent member was Robert Penn Warren. I devoted a post to "The Briar Patch" (see link below). In the 2006 series, I posted a lot about John Brown and cited Warren's biography. In several posts.

The Southern Agrarian group was founded on a group of poets who identified themselves as "Fugitives". Gilpin calls them the Fugitives throughout his essay. But they are more commonly identified as the Southern Agrarians or Nashville Agrarians.

In my post of April 21, 2006, I wrote:

For Robert Penn Warren in his 1929 biography of Brown, the antislavery fighter was a scamster and insane to boot. His antislavery activities in Kansas were simply a cover for horse and cattle theft. And his religion was nothing but a way to wrap a phony mantle of self-righteousness around his misdeeds. Warren emphasized what he found to be "one of the most significant keys to John Brown's career and character; his elaborate psychological mechanism for justification which appeared regularly in terms of the thing which friends called Puritanism and enemies called fanaticism." (Warren; 446)
The mini-civil war in Kansas Territory involved active guerrilla warfare, in which horse theft was common on both sides, a practice with obvious military significance in those days before the motorized cavalry.

Gilpin also notes Warren's polemic fixation on Brown's alleged personality issues, with reference to one of the most controversial incidents in Brown's career, the execution of several proslavery partisan fighters in "Bleeding Kansas":

After describing Brown's bloody killings at Pottawatomie Creek in May 1856, Warren highlighted only one fact: Brown stole his victims' horses and traded them on the profitable black market of territorial Kansas.

The exploitation of this trope was one of Warren's shrewdest thematic strategies. What better way to vilify Brown than to make him not just spiritually misled but also a common criminal? Warren's biography shows an almost obsessive attention to the debated incidents in Brown's life, specifically the continual1ies about his presence at the Pottawatomie massacre: "The truth was out at last, and the world had prepared a motive-a motive which would fit the martyr .... The world had justified the murderer .... It is a little more difficult to justify a horse thief." Warren was most incensed that Brown's defenders justified his actions while stolen property was on its "way north to be sold." Here Warren was able to condemn Brown, his mythmakers, and the North all in one stroke. [my emphasis]
Gilpin reviews numerous ways in which Warren's propagandist John Brown biography was hack history. He writes that "the main agenda of the biography was blaming the North for the Civil War and excusing the South for slavery." (Yes, blaming black people for awful things whites do to them started long before George Zimmerman shot Trayvon Martin and conservative whites rushed to defend the killer.)

Gilpin describes how the Southern Agrarians/Fugitives promoted a Lost Cause pseudohistory in the service of defending segregation and white racism as it was practiced in the American South in the 1920s and 1930s. His judgment on the Agrarians' manifesto, I'll Take My Stand, is sound:

I'll Take My Stand, and Warren's essay ["The Briar Patch"] particularly, patently ignored the actual racial realities of the interwar South. Warren's ideological gymnastics perfected the polemic he had been crafting with his fellow Fugitive-Agrarians throughout the previous decade. With the same historical background, arguments, and deftly crafted prose he had used in John Brown, "The Briar Patch" represented an attempt to convince and mobilize. Both book and essay sought believers in the ways of the Old South, particularly those sympathetic to the cultural values, social system, and racial hierarchies of this imagined world.
I do think he assigns the Agrarians more than their fair share of influence in promoting the neo-Confederate viewpoint at the time:

The Fugitive-Agrarian publications reveal the successful appropriation of history in the campaign to wrest control of the South's present and the future. Warren's John Brown and his contribution to I'll Take My Stand were part of an organized effort to convince the nation that their imagined South (past and present) was real. This impressive intellectual uprising effectivelycreated a history of the Old South that could be used as a model for the New South. In the hands of these talented men, historical writing gave legitimacy to what otherwise would have been dismissed as the rantings of hillbillies straight out ofMenoken's Scopes columns. Instead, Warren and his compatriots transformed the South, an amalgamation of historical reality, imagined past, and hopes for the future, into the torchbearer of the American republic.
Not that I want to let the Agrarians off the hook for their defense of segregation and the rank racism they employed in making it. It's rather than they were taking as their material a Lost Cause ideology that was well-established in white Southern culture and politics. And there were, unfortunately, no shortage of historians that were not particular associated with the Agrarian trend who promoted a Lost Cause outlook.

The Agrarians' cranky defense of rural poverty, ignorance and deprivation, their superficial criticism of Yankee industrialism, and their generally stuffy prose all served to limit their influence. And, as I discussed in last year's Confederate "Heritage" Month series, their association in the 1930s with The American Review, a reactionary journal whose editorial policy was openly admiring of Mussolini's brand of Fascism, pretty much wrecked the Agrarians as any kind of a coherent movement, even among intellectuals.

But despite what I see as some overestimation on his part of their actual distinct influence, Gilpin describes their viewpoint perceptively. He understands that their were about promoting segregation and white racism through their neo-Confederate/Lost Cause writing:

While this uniquely Southern project would continue to reverberate through literature, art, and history for much of the twentieth century, its roots were in an impassioned plea for regional redemption. The Fugitive-Agrarian project was designed to transform the present and direct the future. But the "Dixie" invoked in these texts, that land of happy, kinkyheaded slaves, beholden to kindly, benevolent masters, had never existed. The antebellum South, in reality, depended on subjecting blacks to all manner of degradation: of body, of mind, and of spirit. ...

Within a decade, the Fugitives' arguments had found overwhelming national sympathy. The group's romanticization of an imagined "land of cotton" was not just eerily effective, it spoke to the long shadows that the CivilWar continued to cast over American culture and society.That great national trauma allowed this intellectual tradition not just to embed itself powerfully in a regional culture and identity but to reforge the zeitgeist of our national past. The American impulse to imagine Southern plantations at the far end of a tree-shaded drive rather than at the slave quarters speaks to this understanding. Our insistence that the CivilWar was a valorous tragedy without blame owesmuch toWarren and his compatriots. This is the legacy of the Fugitive imagination.
Others of my posts on Robert Penn Warren and the Lost Cause/neo-Confederacy:

Confederate "Heritage" Month 2011, April 10: Southern Agrarian Robert Penn Warren, which deals with "The Briar Patch" essay

Confederate "Heritage" Month 2011, April 30: Evaluating the Southern Agrarians

Robert Penn Warren on William Faulkner, 1934 03/29/2011

Tags: , , , , , ,

Saturday, April 30, 2011

Confederate "Heritage" Month 2011, April 30: Evaluating the Southern Agrarians

I’ve devoted all of the main Confederate "Heritage" Month posts to the Southern Agrarians represented in the 1930 book I'll Take My Stand. The Southern Agrarian essays provided plenty of examples of the neo-Confederate/Lost Cause viewpoint, both in its pseudohistory of the Civil War and Reconstruction and its function as a present ideology for segregation and white racism, the “present” in the cases we’ve examined being 1930-1934.

There was never much of a Southern Agrarian movement of a political nature. It was primarily a literary project. But the Agrarians made significant contributions to the Lost Cause cause, both in their essays like those discussed here and in books on historical topics. Robert Penn Warren, the most famous of the group, certainly moderated his views and his tone from the ugly jungle imagery for African-Americans he used in his contribution to I’ll Take My Stand. But even in his less benighted years, he still promoted Lost Cause pseudohistory. He did a little 1980 book called Jefferson Davis Gets His Citizenship Back. This passage represents a sort of Lost Cause Lite viewpoint:

Davis was what he was, and he was caught in the complications of the world he lived in – a world in which virtues could sometimes turn into liabilities.
Since that particular condition has applied to humanity for millennia can be seen in Sophocles’ Antigone and endless other examples. The only point of such a statement is to say, Pore Ole Jeff, the world forced him to betray his country in a big bloody war for slavery.

Except in more Lost Cause Lite, Warren mealy-mouths that away, too:

By and large, underlying many of the particular problems were fundamental difficulties built into the very nature of the Confederacy. It can even be argued that the factor underlying all other factors was a state of mind that existed in the North but not in the South.
The Yankees made them do it. And it wasn’t slavery but some fuzzy "state of mind" that caused the Yankees to make the Rebels do it.

Slavery, Warren explains in another Lite formulation, "was a necessary, if not sufficient, reason for the war." But Warren didn't only use the Lite version of neo-Confederate/Lost Cause history in that book:

The main idea that Davis [as the Confederate President] was officially committed to defend (however much he may have vacillated on the issue for reasons of expediency) was the doctrine of states’ rights.”
There are still styles in Lost Cause dogma, the most popular one lately is the notion that lots of African-American soldiers fought in the Confederacy. That such fads occur is a testimony to the vitality of the neo-Confederate/Lost Cause way of thinking, if not of its honesty or good will. Kevin Levin in his Civil War Memory blog regularly refutes new outcroppings of this particular pseudohistorical whopper. As Donald Rumsfeld infamously observed of the fruitless search for WMDs in Iraq, it's difficult to prove a negative. But so far, legitimate historians have yet to uncover even one single verifiable incidence of an African-American serving as a Confederate soldier in combat. One recent example of Kevin’s work on the subject is A Black Confederate General That We Can All Embrace? 03/17/2011.

But Warren was promoting the idea back in his 1980 book:

It is true that France as well as in England there was strong sentiment against slavery, but when the idea of offering emancipation as a bribe for recognition was finally beginning to be put forward in the Confederacy it was too late to be of any use … And a parallel instance appeared when the idea of enlisting blacks for Confederate armies (with the implied promise of freedom) was successfully brought forward – a paradox best formulated by the politician Howell Cobb, of Georgia, who opposed the idea: If slaves will make good soldiers, our whole theory of slavery is wrong.” Actually, some blacks were enlisted and wore the gray, but only toward the end of the war. [my emphasis]
How deceptive Warren’s presentation there is can be seen from this description of the discussion of the issue by James McPherson in his very popular The Battle Cry of Freedom: The Civil War Era (1988). Gen. Robert E. Lee on February 18, 1865, when the Confederacy was just weeks away from surrender, endorsed the idea of using slaves as soldiers, despite “the risk which may be produced upon our social institutions.” As he writes:

By a vote of 40 to 37 the House passed a bill authorizing the president to requisition a quota of black soldiers from each state. In deference to state’s rights, the bill did not mandate freedom for slave soldiers. The Senate nevertheless defeated the measure by a single vote, with both senators from Lee’s own state voting No. The Virginia legislature meanwhile enacted its own law for the enlistment of black soldiers – without, however, requiring the emancipation of those who were slaves – and instructed its senators to vote for the congressional bill. They did so, enabling it to pass by 9 to 8 (with several abstentions) and became law on March 13. In the few weeks of life left to the Confederacy no other state followed Virginia’s lead. The two companies of black soldiers hastily organized in Richmond never saw action. Nor did most of these men obtain freedom until the Yankees – headed by a black cavalry regiment – marched into the Confederate capital on April 3.
If Warren was looking at the same set of facts, one would have to say that he was parsing his words very carefully. Another example of the habit of conservative intellectuals to construct formulations that are perhaps literally defendable but leave a completely wrong impression.

Bruce Levine provides a more extended description of those events in Confederate Emancipation : Southern Plans to Free and Arm Slaves During the Civil War (2005).

Others of the Twelve Southerners of I’ll Take My Stand wrote history books. Allen Tate did Lost Cause biographies of Confederate military heroes Robert E. Lee (the Christ of the Lost Cause confession) and Stonewall Jackson, and one of Confederate President Jefferson Davis; Andrew Nelson Lytle, a hagiography of Confederate war criminal and later Ku Klux Klan leader Nathan Bedford Forrest; John Gould Fletcher, a state history of Arkansas; Warren, several books on civil rights issues.

Warren’s first book was John Brown: The Making of a Martyr (1929), written when he was 23. It's story-telling is good, and he does seem to be careful of his facts. But his viewpoint was decidedly hostile. And he uses pro-Confederate arguments in making judgments on Brown that he scarcely attempts to support with arguments from the evidence. The 1993 edition includes an introduction by C. Vann Woodward that is complimentary, amazingly so in light of the way the young Warren presented his judgments on Brown. Merrill Peterson writes of Warren's book that it "exudes slurring innuendo about abolitionism".

Christopher Duncan in Fugitive Theory: Political Theory, the Southern Agrarians, and America (2000) defends the Agrarians’ segregationist viewpoint: “they were segregationists. While this certainly did not place them out in front on the issue in 1930, it just as certainly did not render them anachronistic or reactionary.”

Actually, they were both. The editor of The American Review was accurate in describing them as Radicals of the Right and even Conservative Revolutionaries, at least in their ideological perspectives at that time.

Duncan makes a straight-up whitewash of the Agrarians on race. He engages in the kind of deceptive hair-splitting that conservative intellectuals like to employ when they are trying to defend something not defensible in democratic terms, a version of which we saw in the Warren example above. Duncan writes:

Although it is not idiomatically possible in contemporary American discourse to be called both a democrat and a segregationist, the truth is that in 1930 that is exactly what the Southern Agrarians as a group were proposing – a segregated democracy.
To what extent the segregation system represented democracy for Southern whites is open to interpretation. A characteristic feature of segregation was a sometimes astonishing level of corruption, including in vote-counting. And the whole segregation system, as the Twelve Southerners knew very well in 1930, was based on the denial of the vote to African-American citizens. These days we call such tactics “vote suppression,” implemented in the segregated states by some combination of poll taxes, literary tests, intimidation and the background threat (occasionally made reality) of violence. It did not provide democracy for black citizens. Whether we can call state segregation systems that systematically denied the vote to such a large portion of their citizens “democracies” in a meaningful sense of the word is a matter for discussion. I tend to call it a limited democracy for whites. And whites inclined to openly challenge aspects of the segregation system often found that they didn’t enjoy full democratic liberties like freedom of speech and assembly.

Similarly, a symposium was held at Vanderbilt University in 1980 on the 50th anniversary of the publication of I’ll Take My Stand. If the papers from that symposium collected in A Band of Prophets: The Vanderbilt Agrarians After Fifty Years (1982; William Havard and Walter Sullivan, eds.) are any measure, the central role played by Lost Cause ideology and the Southern politics of race in I’ll Take My Stand was mostly discreetly ignored. In Charles Roland’s contribution, he quotes Frank Owsley’s Lost Cause description of the pre-Civil War Abolitionists with approval:

Professor Frank L. Owsley, a member of the Agrarian writers, once wrote: “One has to seek in the unrestrained and furious invective of the totalitarians to find a near parallel to the language that the Abolitionists and their political fellow travelers used in denouncing the South and its way of life. Indeed, as far as I have been able to ascertain,” he continued, “neither Dr. Goebbels nor ... other Axis propaganda agents ever so plumbed the depths of vulgarity and obscenity.”
John Shelton Reed in his paper also whitewashes the Agrarians on segregation and white racism:

Oddly, perhaps, given the time and place, they largely ignored race. When it was mentioned, it was often (as in Robert Penn Warren’s essay) in rather untraditional terms. I suppose that all of them were, at the time, segregationists: that is not the point. They did not base their defense of the South on its undeniable standing as the last great Western Hemisphere redoubt of white supremacy. (Other spokesmen for the South have not shared their scruples, or their tact.) Their defense of the South emphasized the last two of those three R’s – religion and, especially, rural life. And they effected a sort of rhetorical alchemy, transmuting vice into virtue, proclaiming that backward is beautiful. And they did it, some of us think, very persuasively.
As I hope my discussion of I’ll Take My Stand shows, it’s hard to imagine anyone who has read the thing could say “they largely ignored race.” And, actually, Warren’s jungle imagery for African-Americans in the book was pretty traditional for Southern bigots. To put in a Southern way, Reed doesn’t describe them too accurately, bless his heart.

Other scholarly works on the Southern Agrarians are, shall we say, more closely reality-based.

Robert Brinkmeyer, Jr., makes an analysis generally similar to mine in The Fourth Ghost: White Southern Writers and European Fascism, 1930-1950 (2009). He devotes a separate chapter to Warren, whose view of the subject of the books title evolved to the point that, in Brinkmeyer’s words, “Warren found in Fascism humanity’s darkest enemy, the darkest inner reaches of the human heart made real.”

Paul Murphy his 2001 book, The Rebuke of History: The Southern Agrarians and American Conservative Thought focuses, as the title suggests, on the Agrarians’ political outlook and positions it in the context of the development of conservative thought in America. He identifies the continuation of the Southern Agrarian tradition with writers like Richard Weaver, M.E. Bradford, Samuel Francis and the Marxist-turned-reactionary historian Eugene Genovese, and John Shelton Reed, quoted above; groups like the far-right Rockford Institute; and, the “paleoconservatives and neo-Agrarians gathered around such organs as Chronicles and Southern Partisan.” He also mentions the far-right, overtly secessionist League of the South as carrying on the Southern Agrarian tradition from the early 1930s. On the whole, not an intellectual or political legacy with much in it of which to be proud.

He devotes several pages to Wendell Berry as picking up on the agrarian side of that legacy. Based on my look at Berry’s view of the Agrarians in an earlier post in this series, his views of sustainable agriculture, the preservation of family farms, and organic farming can easily be matched with the vague notion of the Agrarian desired end state. But in the article we examined, he was willing to minimize the Agrarians’ segregationism as it appears in I’ll Take My Stand. Murphy seems to be suggesting that Berry’s thought doesn’t actually have much to do with the ideology of I’ll Take My Stand when he writes, “Berry acknowledges a ‘bit debt’ to I’ll Take My Stand, although it is evident that his influences are wide-ranging.”

Paul Conkin provides a general history of the group and their work in The Southern Agrarians (1988). He argues, without using the phrase Lost Cause, that neo-Confederate Lost Cause history represented “historical myths” for the Southern Agrarians in I’ll Take My Stand, which supported their “cultural description” of the virtues of their idealized agrarian South. He gives this description of the version of Lost Cause pseudohistory that framed the Agrarians’ posture of white grievance:

What seemed most common to the twelve contributors [to I’ll Take My Stand] was a view of southern history. The war between the states [itself a Lost Cause name for the Civil War] reflected primarily a competition between two economic systems and ideals – on the one hand an independent yeomanry of farmers and small shopkeepers, on the other a commercial, financial, large manufacturing oligarchy which already dominated the Northeast. The slavery issue provided a convenient, emotionally charged issue, a mere occasion, for a northern, imperial conquest of the South, which almost alone blocked the road to a capitalist future. [The posture here by the Agrarians that the antebellum South had been some kind of pre-capitalist, aristocratic society.] The war, reconstruction, and subsequent Republican economic policies completed and consolidated the political and economic conquest, leaving the South impoverished, politically impotent, a dependent colony of the North. Such an economic interpretation had plenty of historical support in the thirties. It was reinforced, in the South, by a recognition of southern realities, beginning with incomes at less than half the national average. Equally supportive were the memories, embellished by time, of wartime cruelties or of a purportedly black reconstruction.
But to the extent the Southern Agrarians recognized those “southern realities” of poverty, they tried to idealize them into a virtue. John Crowe Ransom made an observation, rare in the Agrarian essays I’ve surveyed in this series, which showed at least a passing awareness of the real nature of the agrarian society he and his fellow stand-takers were trying to preserve, in practice (”Sociology and the Black Belt” The American Review 4:2 (1934):

The condition of Southern tenant farmers, both white and black for that matter, is economically the lowest to be found in America, and constitutes the most urgent of all our permanent economic problems.
Tags: , , , , , ,

Friday, April 29, 2011

Robert Penn Warren on William Faulkner, 1934


I've had more than one occasion here to criticize the poet and onetime Southern Agrarian reactionary Robert Penn Warren. But I was surprised at his evaluation of William Faulkner's work in one of his articles from the Agrarian days, "T.S. Stribling: a Paragraph in the History of Critical Realism" The American Review 2:4 (1934).

Most of the article is devoted to the novelist T.S. Stribling. But near the end, he makes a comparison of Stribling's fiction to Faulkner's that is surprisingly perceptive about Faulkner's work. He writes:

Take the "poor whites" of Faulkner's As I Lay Dying ... As a citizen, in his practical and public rôle, Faulkner may want to see a broadened way of life possible for the back-country people of Mississippi; but he is too much of an artist to commit himself to the easy satire of the reformer or aesthete. And it is doubtful that Faulkner, the citizen, approves of Pop Eye, the gangster, or of Temple Drake; but his distaste as a citizen is not the theme of Sanctuary. And when the mother in The Sound and the Fury rebukes her child for using a nickname, saying nicknames are common, the effect is not a piece of satire on her pretensions, but something more immediate, human, and profound; it is perhaps a pathos at this clinging to a symbol of gentility and self-respect in the midst of decay, and if the scene is complicated with irony it is an irony that the symbol should, after all, be so futile and so stupid.
Notice that Warren is being critical of Faulkner because as "a citizen" he "may want to see a broadened way of life possible for the back-country people of Mississippi." Warren's reservations about Faulkner's intentions "as a citizen" is understandable; it's hard to imagine how a reader of As I Lay Dying would be impressed with the Southern Agrarians' idealized notion of subsistence farming and the glories of the superstitious, uneducated, and isolated country life.

But the rest of the comment shows that Warren had sense enough to portray his characters in a realistic light in a complicated environment that recalls those of real people.

He continues:

Light in August employs all the material familiar in Stribling's work, race prejudice, class prejudice, sectional prejudice, and violence, but with a far different effect. Christmas, the white Negro of Light in August, ... is caught in an insoluble problem that can only end in tragedy; it is a problem so fundamental that he cannot evade it, no matter what he does or where he goes. ... Christmas does pass as white, even in the South, and does go North, and does have, not one, but many white women; but these things are ultimately irrelevant to the circumstance of his life. Even if he were rich and successful, his character being given, they would remain irrelevant. The death of Christmas has some tragic dignity; the lynching of Toussaint [in Stribling's story] is a mere butchery, or on another view, a competent piece of legerdemain to point [a] a moral if not adorn a tale.

The primary difference, a difference perhaps more of intention than of achievement, between the work of Stribling and that of Faulkner seems to be this: the drama that engrosses Stribling is a dram of external circumstance, a conflict drawn in the purely practical world; the drama that engrosses Faulkner concerns a state of being, a conflict involving, to some degree at least, the spiritual integrity of a character.
I have to give Warren credit here. At this stage of Faulkner's career, Sanctuary had made Faulkner famous. But Faulkner's work was shocking, and remains so today. And conventional critics accused him of using sex and violence gratuitously, as sensationalism. It was a ridiculous charge. But one might think someone like Warren, who at that time found himself comfortable among the "Radicals of the Right" publishing in The American Review, would have been tempted to share a traditionalist, moralistic view of Faulkner's work.

But despite his very conservative worldview, Warren could evidently appreciate the value of Faulkner's work, which was anything but conservative at that time, and even less so in the years after 1930.

Tags: ,

Friday, April 21, 2006

Confederate"Heritage" Month 2006, April 21: John Brown and antislavery Christianity (1)

John Brown saw the world through Christian eyes. A religious understanding shaped his views of politics, family life, history, business, war.

The early nineteenth century was a more intensely religious period in America than the time of the Revolution.  Thanks to various waves of revivals and and more mundane efforts of Protestant demoninations to save souls and provide churches for the growing flocks, more people were attending church.  And more people were conceptualizing social and political issues in religious terms.

The American Cromwell

John Brown was more intensely religious than the average American of those days, though. His contemporaries often spoke of him as a throwback to two centuries earlier, to the time of Oliver Cromwell. Americans today might generally recognize Cromwell's name, and know that he was some kind of religious or political leader in England. Richard Boyer wrote of Brown's presentation of himself as he became well-known at least in antislavery circles due to his role in the Kansas fighting:

As John Brown told of his victories in Kansas and Missouri over this hitherto invincible figure, it was almost as if he were simultaneously creating in himself and with himself an answering legend to that of the gallant slaveholder, the legend of the Bible-reading, hymn-singing Puritan, fierce throw-back to Cromwell's Ironsides of two centuries before who had defeated the cavaliers of King Charles as Brown would defeat the slaveholders of the South. If he never characterized himself thus, he did not need to. The circumstances of his life and ancestry had combined to so suspend him in time, to so keep him in the Puritan ethic of the seventeenth century, or so his admirers felt and said, that they instantly recognized him as an almost exact reincarnation of Cromwell's warriors. Like them, the rhythms of the Old Testament beat within him, offering him succor and strength on the day of battle, and the psalms of David they had sung or recited around campfires two centuries distant were a part of the very core of John Brown. Sanborn was typical in his reaction to Brown when, in an address to Concord schoolchildren in March 1857, he said,

"I have lately met a person who so well illustrates in himself the Puritan of Cromwell's time that he seems to me worth describing. ... I refer to the justly famous Captain Brown of Kansas, otherwise known as 'Old Brown' and 'Osawatomie Brown' of whom you have no doubt heard something in connection with recent events in Kansas."

It might have puzzled those who saw John Brown as a latter-day Cromwell, as well as a good many other of his contemporaries, had they known that his role in history was later to be described only as that of a solitary fanatic. To them it seemed as if he were in the mainstream, the victor of Kansas, at the very center of the country's greatest crisis, the man who could act when others only spoke, the man who could wield the authority of the gun when most of his admirers, "not men with fists," as Theodore Parker called them, had only the power of rhetoric. (Boyer; 13-14)
Brown's Outspoken Christianity


Some of his religious statements after his capture became instantly famous. Others were contained in letters that came to light over time. For example:

I think I feel as happy as Paul did when he lay in prison. He knew if they killed him, it would greatly advance the cause of Christ; that was the reason he rejoiced so. On that same ground "I do rejoice, yea, and will rejoice." Let them hang me; I forgive them, and may God forgive them, for they know not what they do. I have no regret for the transaction for which I am condemned. I went against the laws of men, it is true, but "whether it be right to obey God or men, judge ye."

And also:

'He shall begin to deliver Israel out of the hands of the Philistines.' This was said of a poor erring servant many years ago; and for many years I have felt a strong impression that God had given me powers and faculties, unworthy as I was, that He intended to use for a similar purpose. This most unmerited honor He has seen fit to bestow; and whether, like the same poor frail man to whom I allude, my death may not be of vastly more value than my life is,I think quite beyond all human foresight.
Brown's remarkable performance in his interrogation after his capture, wounded and exhausted, at Harpers Ferry, included a number of religious references.  The interrogation was fortunately reported first-hand by a reporter from the New York Herald. It included exchanges such as the following:


Q: "Who sent you - who sent you?"

Brown: "No man sent me - I acknowledge no master in human form!"

Q (from Virginia Gov. Wise): "Mr. Brown, the silver of your hair is reddened by the blood of crime, and you should eschew these hard words and think upon eternity. You are suffering from wounds, perhaps fatal; and should you escape death from these causes, you must submit to a trial which may involve death. Your confessions justify the presumption that you will be found guilty; and even now you are committing a felony under the laws of Virginia, by uttering sentiments like these. It is better you should turn your attention to your eternal future than be dealing in denunciations which can only injure you."

Brown: "Governor, I have from all appearances not more than fifteen or twenty years the start of you in the journey to that eternity of which you kindly warn me; and whether my time here shall be fifteen months, or fifteen days, or fifteen hours, I am equally prepared to go. There is an eternity behind and an eternity before; and this little speck in the centre, however long, is but comparatively a minute. The difference between your tenure and mine is trifling, and I therefore tell you to be prepared. I am prepared. You have a heavy responsibility, and it behooves you to prepare more than it does me."
W.E.B. DuBois also described Brown's attitude toward the Southern slaveholders' version of Christianity at the time he was being held in Virginia for execution:

Against slavery his face is set like flint: "There are no ministers of Christ here. These ministers who profess to be Christian, and hold slaves or advocate slavery, I cannot abide them. My knees will not bend in prayer with them, while their hands are stained with the blood of souls." He said to one Southern clergyman : "I will thank you to leave me alone; your prayers would be an abomination to God." To another he said, "I would not insult God by bowing down in prayer with any one who had the blood of the slave on his skirts." (DuBois; 372)
Earlier Religious Life

For Robert Penn Warren in his 1929 biography of Brown, the antislavery fighter was a scamster and insane to boot. His antislavery activities in Kansas were simply a cover for horse and cattle theft. And his religion was nothing but a way to wrap a phony mantle of self-righteousness around his misdeeds. Warren emphasized what he found to be "one of the most significant keys to John Brown's career and character; his elaborate psychological mechanism for justification which appeared regularly in terms of the thing which friends called Puritanism and enemies called fanaticism." (Warren; 446)

But whatever the psychological roots of Brown's religious feelings and convictions, there is no reason to doubt that he took his religious seriously, and looked at the world through a religious perspective. Stephen Oates gives this account of Brown in 1832, more than two decades before he arrived in Kansas:

Eventually Brown decided that what the township needed was a church of its own. On January 1, 1832, he organized an Independent Congregational Society in New Richmond [Connecticut], drawing up the articles of faith himself. The society held its services on the second floor of Brown's tannery. Sometimes a minister came to deliver the sermon: on other mornings Brown gave it himself, preaching from the works of the older Jonathan Edwards, whose mystical Calvinism, as expressed in such sermons as "The Eternity of Hell Torments," "The Evil of the Wicked Contemplated by the Righteous," and "Sinners in the Hands of an Angry God," had powerfully influenced Brown's own beliefs. He told his congregation one Sunday: "Is not the reflection that full, & complete justice will at last be done enough to make the very Heavens & Earth to tremble?" Before him, on the second floor of his tannery, sat his employees and their families, the Delamaters, and his own wife and children. "Providence," Brown went on in his hairing but imperious manner, "unfolds to our darkened minds, Three cardinal traits in the character of the true God, vis Justice, mercy, & love of propriety." Yet there was one attribute men should have above all others. "Humility," Brown  declared, for "What can so properly become poor dependent, sinning, & self condemned mortals, like us ... as humility?"

He preached about the nature of sin, too, and wrote of how "Our stupidity ingratitude disobedience we have great reason to mourn [&] repent of." He himself felt that he should expect God's judgments because His mercies had not awakened more of Brown's "love & gratitude, zeal for his honor." In his sermons and his morning Bible classes Brown drew his scriptural examples largely from the Old Testament, reminding his listeners how the wrathful Jehovah of ancient Israel brought famine and pestilence to those who did not "fear the Lord thy God" and failed to "serve him and swear by His name." For "the fear of God," as the Preacher taught in the last chapter of Ecclesiastes, "is the whole duty of man." (Oates; 22)
For better or worse, John Brown conceived his antislavery mission in Christian religious terms. That's not to say he was unaware of its political dimension.  Near the end of his life, he explained to George Stearns, one of the Secret Six:

I believe in the Golden Rule, sir, and the Declaration of Independence. I think that both mean the same thing; and it is better that a whole generation should pass off the face of the earth - men, women, and children - by a violent death than that one jot of either should fail in this country, I mean exactly so, sir.
The apocalyptic vision of that comment is dramatic, and could be used as an example of a certain fanaticism. But we don't have to guess at what he might have done in pursuit of such a vision. Even his bloodiest deeds showed that he was highly disciplined and directed in his use of violence. His reference there was surely to biblical symbolism about the authority of God: "than that one jot of either should fail" would have been immediately recognizable to Americans of his time as a refernce to a statement of Jesus about the Jewish law in the King James Bible translation.

However one may judge his deeds or his Christianity, it seems clear to me that his comment about the Golden Rule represented his own values that governed his actions. His conception of his mission in life was both a Christian religious one and a radical-democratic one.

It was consistent with John Brown's own conception of himself and his mission that his admirers defined him in religious imagery:

While John Brown still lived, Wendell Phillips, one of the greatest anti-slavery figures, who himself had prior knowledge of Brown's plan, was comparing him to Huss and Wycliffe, martyrs of the Reformation, "who died violent deaths for breaking the laws of Rome," as well as to George Washington, who, "had he been caught before 1783 would have died on the gibbet, for breaking the laws of his sovereign." And in Kansas, William A. Phillips, another who was privy to the plot, one of the foremost newspaper correspondents of his day and later a soldier and congressman of distinction, was soon declaring that the best of an epoch and its men were combined in John Brown. It was during these days of waiting that Emerson said that if John Brown were hanged he would "make the gallows as glorious as the cross," while Victor Hugo, writing from his exile in Guernsey, was pleading for the life of John Brown, declaring that for Americans to take it was like "Washington slaying Spartacus." (Boyer; 21)
(See Sources on John Brown for references.)

Tags: , , ,